Title supplied by cataloger. Composite volume, written in Germany, part II during the first half of the fifteenth century; parts I, III-V between the middle and the end of the fifteenth century. Written in a littera currens script on paper and parchment. Bound before and after Thomas, Aquinas. Incipit prima pars summe theologie. Venice, Antonius de Strata, 1482 (RB 102369). Part I. ff. i-xxi verso. Mid to late 15th century. Layout: Paper. 110(-7) 28 38(-3 through 6). Ruled space, 205 x 150 mm; 2 columns of 40-42 lines, frame ruled in dry point or by folding. Watermark(s): Ochsenkopf similar to Piccard's type X, 111-379. Written in a small littera currens. Other decoration: 2- and 1-line initials in red; initials within the text slashed in red; red rubrics and... Part II. ff. 1-56 verso. Early 15th century. Layout: Parchment outer and inner bifolia of each quire, the other bifolia are paper. 1-414. Catchwords in the inner margin. Ruled space, 224 x 161 mm; 2 columns of 54-75 lines, frame ruled in lead. Written in a small littera currens. Other Decoration: 8- and 7-line initials in red or blue with infilling of the other color, containing leaves in void... Part III. ff. 57-80 verso. Mid to late 15th century. Layout: Paper. 1-212. Ruled space, 225 x 153 mm; 2 columns of 42-52 lines, frame ruled in dry point. Watermark(s): Ochsenkopf similar to Piccard's type X, 111-379 as above in pt. 1, and another similar to Piccard XIII, 706, Augsburg, Innsbruck 1472-74. Written in a littera currens. Other decorations: 3-line red initials; initials within the... Part IV. ff. 81-110. Mid to late 15th century. Layout: Paper. 18 210 312. Ruled space, 201 x 156 mm; 31-32 long lines, frame ruled in lead. Watermark(s): Buchstabe P similar to Piccard's type VIII. Written in a littera currens. Other Decoration: 3- and 2-line red initials; initials within the text slashed in red; rubrics and underscoring in red. Part V. f. 111. Mid to late 15th century. Layout: Paper (no watermark). 2 columns of ca. 57 lines. Ruled space, 250 x 175 mm; vertical rules in ink. Formerly loose in the volume. Input into Digital Scriptorium by: C. W. Dutschke, 9/6/2009. The name of Iohannes Geuenstey on f. 40v may represent the person who originally took the notes rather than the scribe. Belonged to Leander van Ess, with his signature and "417" in pale red ink on f. 1 of the manuscript. Sold by him to Sir Thomas Phillipps; with Phillipps' printed paper label on the upper spine, "88" corrected by hand to "288," the number of this book in the Catalogus...
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