The Story of Hildefonsus of Toledo [Däqseyos]
The Story of the Poor Monk Who Had Neither Food Nor Clothes
The Story of the Artisan Who Was Devoted to the Virgin Mary
The Story of the Jew of Akhmim
The Story of Damianus of Philippi [Demyanos of Felp'esyos]
The Story of Pope Leon [Bishop Abbas of Romé]
The Story of Isaac the Monk
The Story of the Man from Defra Whose Daughter Was Transported to Paradise
The Story of the Artist Who Fell from His Scaffolding
The Story of the Sick Merchant
The Story of the Young Man Zacharias [Zäkaryas]
The Story of Juliana and Barbara [Yolyana and Bärbara]
The Story of the Three Arabs of Rif
The Story of the Church that Was Transported to the Shores of the Sea of "Iyariko"
The Story of the Blind Priest, Yohannes of Bäkänsi
The Story of the Rich Merchant of Qwälasyes
The Story of the Daughter of Abreham of Bedreman
The Story of the Poor Widow and Her Daughters
The Story of the Two Brother Scribes
The Story of George the Younger
The Story of the Priest Kät'ir of Elkus [sic]
The Story of the Dyer Näzib
The Story of the Man With a Club Foot
The Story of Bishop Mercurius [Märqoréwos]
The Story of the Woman of Haarlem [Hartälom]
The Story of Abbess Sophia of Carmel [Sofya of Qärmélos]
The Story of Barok of Finqi
The Story of the Deacon Anastasius [Anest'asyos]
The Story of the Monk Salusi of the Monastery of Qälmon
[bottom, Different hand] Short Hymn or Prayer, mid-1700s
The Story of the Cannibal of Qemer
The Story of the Widow's Son Who Was a Thief
The Story of the Woman Who Gave Birth in a Storm At Sea
The Story of the Thirsty Dog
The Story of the Five Sorrows Told by the Virgin to Her Son and His Granting of the Covenant of Mercy on Her Behalf
[bottom, Different hand] Prayer to the Virgin Mary
Mostly in numbered gatherings of 8 leaves, the manuscript is in excellent condition and shows no damage and only a little natural wear to the edges of some leaves, 1 col. of 15 lines, written in black with the usual rubrics (alternate opening lines of sections, the name of Mary and Saint George as well as those of the owners, major punctuation) in a generally well-formed early ...[text truncated] The paintings are high quality examples painted in the Second Gondarene style, which is associated with the patronage of Empress Mentewwab and her son, Iyasu II (r. 1730-55), though it continued in use later into the eighteenth century. The paintings are mostly framed within a double red border and include descriptive text in red or black, either directly on the painting or in ...[text truncated]
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